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crew TALK WITH THE PSYCHOLOGIST: JAQUELINE JAIME

Last Friday at the premises of the Secretary of protection and roads, the psychologist Jacqueline Jaime Zequido told us that it was a documentary and field research where the main objective is to solve the problem of graffiti in Acapulco which was a trip to Mexico City to see who was making authority jurisdiction in this case the Secretary of protection and roads of this city is looking for companies wanting to invest in anti-graffiti project. DF
The problem was that young people painted the monuments, national heritage and the target of anti-graffiti project was to restore these sites by both companies agreed to sponsor the project.
arrival at the port, we realized that there was no problem because here only scratched the spectacular walls of home, schools, and proposing the same program with the City firms and the government refused financial support for this cause.

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THE GRAFFITI IN THE 68

The graffiti was instrumental in the 1968 student movement in Mexico. Long before the events of 2 October in Tlatelolco, the students embodied phrases have passed into history as "Be realistic, demand the impossible", "forbidden to forbid" and stunning images of peace doves.

A French song of that era written by Georges Moustaki says

Come hear those words vibrating in the walls of the month of May they give us the assurance that we will be free one day.

popular art of spray, as it was called the graffiti movement, has one major goal: to make public a message, an idea, a thought that the artist should be placed in a special place to call public attention to urban.
These manifestations are different feelings arise between us either in disgust, because they damage the property of others, curiosity or, to realize that at times has become an attractive and well among some artists have found their way to the walls of museums and galleries.

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How to make a graffiti? DIFFERENT VIEWS

Each graffiti choose a pseudonym (nickname) known among the bands as "tag" to protect law and order to be recognized through this. The second step is to begin to scratch where it may, it is part of the intense practice before becoming a good writer, the important thing about this whole issue is to contribute something aesthetically and remain at the scene, because this is how it is gaining fame and recognition among the community. Even without knowing the person knows his work physically, of course, if it is good to view other writers, even if the writer professes an ideological current can translate it into their graffiti. The more elaborate, you'll have more value.
There are also groups that can be very exclusive with young people develop their own style: the recognition depends on the style and the place where is located the painting: a very busy place where police may have, or is difficult to access high degree of difficulty paint, which will give greater value to the look. Before this we have the following question: What has more value, "the style, location, quantity, who did it or the complexities of the work?
Graffiti always depends on the time and space: the case of a work that will take time and dedication, you need to know first where it will be, what you want to do and people that will help police to not be seen by the police and thus plan the time of day that is less risky. A graffiti can be made at any time of day, according to Amara and Being, is a great myth that is always done at night with the crew.
To make a good pint, easy, fast and sexy, it takes much practice. Another interesting rule is not to remove a graffiti you deem better than yours, it is considered a lack of respect for the graffiti artist who made it, who come to scratch or above in good graffiti are not aware, the toys. The fact that a renowned graffiti artist, aware of the rules, over another scratch means declaring war, which sometimes leads to discussions or fights between members and / or complete crews. There