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What seduces
usually never
where thought
Years

soon learned that did not repeat the last verse which echoes the first stanza.

So I thought what seduced just not used to be and was content with the impossible desire to avoid looking for what would never be.

It turns out that I had lost one hand and the only problem with what appeals is usually not where one thinks. But being is.

(just never admit it in public it made me realize that.)

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The next day at lunch. She

: A total divine located, sir, especially gentleman. Call it, we were very close to where we went for a drink, and just picked me up with the car so do not walk. When we arrived at the bar, and I settled it instead of sitting on the side, sat opposite to speak more comfortable. And when we came back, too, left me at home but tranqui. You could tell she liked but did not attempt any move. It is noted that is a healthy boy. He

: And mine, nothing ... he did not even place a little. I tried everything. I retrieved the new car even though they were two blocks and nothing. We arrived at the bar and fits and throws the bag on the seat beside me, I had no, I had to sit in front. When we do not, we got home and then got out and threw me a "I had fun." I also had fun, but I went a little desperate.


To Stella, is in this harsh task of finding your nail.

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Colors of a sleepless

In this part of my visual work I tried to capture the feelings of the various disorders of sleep and its relationship to the work of art. One night I found to do with the sleepless nights, and from my insomnia comes the ability to paint, this idea has matured to become the central theme of my work.

So my insomnia is my inspiration and my sorrow not only my subject material but also my work.
shapes and colors that remain in the memory of a childhood nightmare, the feeling that the night gives the sleepwalker is an exquisite blend of fears, anxieties and silences. Memories that do not belong to a concrete reality, but rather an unconscious that seeks to take this reality, and give my paintings as a bridge to the union.

The images come from that world of dark fantasy, there's the almost violent force of my work, but my colors are bright, energetic as it is this energy and vitality that keeps me from night to sleep, somehow my nights are full of colors, full of shadows and light contrasts. Little by little, the colors with textures are taking over and removing the composition figuration space.